Migrating to another country implies negotiating the margins of another culture which results in a sense of displacement as everydayness involves constant engagement with the unfamiliar. Displacement implies making the interstice in-between these cultures “habitable” by negotiating cultural margins and constructing a “third culture” in which “home” is memories and habits rather than a physical place, and notions of identity and culture are more ambiguous.

For me, it’s all about New York streets. They’ve been immortalized in who knows how many songs and poems, movies and books, but even though I’ve spent years documenting them with my photography, I don’t think I’m any closer to understanding them than I was when I started. They are their own kind of art, and for a photographer, all you need to do is setup the shot and take it. I have lived in New York for only five years, but I have been a working, professional photographers for fifteen years now.

Street Scenes

You never know what you’ll find on the streets. And if you happen to be a photographer working in New York, that’s doubly true. I’ve had the good fortune to shoot all over the world, and when I come back to New York, I’m always reminded of why I started my career here.

The New York street scene is, for better or for worse, the street scene. It’s the one that is the most iconoclastic, and because of the backdrop of New York, it’s the one that I think people from just about anywhere imagine when they think of the idea of a street scene—whatever a “street scene” happens to be.

I created this album to showcase some of my favorite street scenes that I’ve captured in New York. This is nothing that I’ve done on contract or in my studio, just real life moments captured by me with my Mark III when I had some time to kick it around the city. I hope you like what you see. I did.